I took the liberty of choosing Dharmapuri Javali Subbarayar for the letter D (his mudra was Dharmapuri after all!). He was a composer of the 19th century. His name has been prefixed with Javali (which has sringaara themes, is fast paced and used in dance performances), as most of his compositions were of this type.

Works

Subbarayar composed mainly in Telugu language and his mudhra was Dharmapuri, after his birthplace. Some of his compositions include:

  • Parulanna maata in Kaapi
  • Adhi neepai marulu in Yaman Kalyani
  • Sakhiprana in Senjuruti
  • Smara Sundara in Paras

It seems Sakhiprana and Smara Sundara were composed for Veena Dhanammal, in whose house he composed most of his Javalis.

Listen to…

My favourite song in Kaapi is a Subbarayar’s Javali that goes parulanna maata. In my opinion, the raga was approached with a very different outlook than the usual compositions in Kaapi. Listen to Ramnad Krishnan sing…

Lyrics

rAga: kApi
tALa: rUpaka
Composer: Dharmapuri subbarayar
Language: Telugu
Pallavi
parulanna mATa namma vaddu prANa nAyaka
Charanam 1
mOmu cinna pOyinadi marmamEmirA mAyalADi bOdhanace pAya cEsErA
Charanam 2
dharmapurini sthiramugA nelakonna sAmi nI dharmamuna nElukOrA nIku mrokkerA 

 

Until next,

Vid 🙂

 

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