Kalpadruma Arts & Artists Annual Festival held a Carnatic vocal concert on Sunday evening at Sivagami Pethachi Auditorium, by Trichur Brothers, who was accompanied on the violin by L Ramakrishnan, on the mridangam by the vocalists’ father Trichur Mohan and on the ghatam by Venkat Subramaniam.

The concert begun with a volume and bass adjustments using Kamalaptha Kula – grapevine has it that this is one of their favourite mike test songs 😉

Kamboji ata thala varnam in normal, thisram and second speeds set the pace of the concert. This was followed by Namami Vighna Vinayaka in Hamsadwani and Aadi Tisra thalam, a song by Krishnaswamy Ayya / Krishnayya. Crisp mel kala kalpana swaram ended in what I think was the song’s chittaswaram as korvai.

Then it was the Sun slokam jabakusuma sankasam in Sowrashtram followed by the Navagraha kriti of Muthuswamy Dikshitar for the Sun god, the song for the day of the week, sooryamurthe. The song was ornamented with one avarthana swarams in dhuruva thalam.

I would say that the sub main in ragam Hamsanadham, was the song of the day. A very unconventional start of aalapana and with seamless transitions and a confident dialogue of raga phrases, it seemed as though one person was singing. The raga Aalapana was very impactful that during the technical timeout (again), pinnadi irundha mama and pakathula ukkandha maami were still humming hamsanadham. A snippet of the same to listen and enjoy 🙂

Other songs performed were

Pantureethi kolu by Thyagaraja,

Om namo Narayana by Ambujam Krishna,

Krishnam Kalaya a Theerthar’s Tharangam.

The main number  was a Ragam-Thanam-Pallavi in Kaapi, “hare Rama Govinda murare mukundha sowre murahara”. When the violinist played some standard Kaapi, the duo was again as unconventional as possible. However, the pallavi was sung in various ragas viz., neelambari, kedaram, dwijavanthi and maand – each artiste took up a different raga to improvise instead of the monotony of playing the same raga in cyclic order.

What I liked: a variety of thalams, apt and new compositions brought to the table.

What could have been better: less time spent on mike adjustments, maybe.

Until next,

Vid 🙂

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